The Haywain
Follower of Jheronimus Bosch
Bosch Project
The Haywain
techniek: Oil on Oak
The Haywain triptych in the collection of the Patrimonio Nacional and long since on display in the monastery of El Escorial is a replica of the Haywain in the collection of the Museo del Prado. The construction of the triptych, as well as the painterly execution of it have led us to believe that this copy dates from the second quarter of the sixteenth century. After the BRCP’s documentation and investigation of the painting in 2013 it has been restored in 2015-16. The result of this treatment has led the curators of the Patrimonio Nacional to the conclusion that the painting might have come into being in the workshop of Bosch, around 1510. A post treatment documentation and analysis should review this hypothesis. |  |
boschproject.org
Literatuur en bronnenpublicaties
Matthijs Ilsink, Jos Koldeweij, Ron Spronk, Luuk Hoogstede, Robert G. Erdmann, Rik Klein Gotink, Hanneke Nap and Daan Veldhuizen, Hieronymus Bosch, Painter and Draughtsman. Catalogue Raisonné, Brussels 2016, pp. 352-353.
Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap and Daan Veldhuizen, Hieronymus Bosch, Painter and Draughtsman. Technical Studies, Brussels 2016, pp. 432-445.
C. Justi, 'Die Werke des Hieronymus Bosch in Spanien', Jahrbuch der Königlich Preussischen Kunstsammlungen 10 (1889), pp. 132-133.
Ludwig von Baldass, Hieronymus Bosch, Vienna 1943, pp. 23-25, 236-238.
Charles de Tolnay, Hieronymus Bosch, Baden-Baden 1965, dl. 2, p. 355.
J. Koldeweij, P. Vandenbroeck en B. Vermet, Jheronimus Bosch. Alle schilderijen en tekeningen, Rotterdam (Museum Boijmans Van Beuningen) 2001, pp. 47, 88, 91.
P. Vandenbroeck, 'The Spanish "inventarios reales" and Hieronymus Bosch' in: J. Koldeweij en B. Vermet (red.), Hieronymus Bosch. New insights into his life and work, Rotterdam 2001, p. 49.
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